Dreamers. Goldfish. Garden gnomes. Elton John. Paris, France. The unifying factor that links all of these seemingly unrelated aspects into a single Broadway musical is one woman: Phillipa Soo. Broadway’s newest musical “Amélie” stars Soo in a decidedly different role, playing the quirky titular character of do-gooder Amélie Poulain.
After passing through lines of people and a glowing marquee into the lobby of the August Wilson Theatre, viewers of “Jersey Boys” on Broadway are greeted with a sign warning of “flashing strobe lights, loud gunfire, and authentic, profane, Jersey vocabulary.”
From a young age, my mother instilled in me that as a woman, I can do anything I set my mind to. She also pointed me to who would be my role model for the next four years and counting: Megyn Kelly, someone who personifies feminism, though she may never outwardly say it.
With 11 Tony Awards, one Pulitzer Prize for Drama and one Grammy Award for Best Musical Theater Album in 2016, it’s hard not to have heard of “Hamilton,” a revolutionary hip-hop musical starring the “Ten-dollar Founding Father,” Alexander Hamilton.